Academy of European Law

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Academy of European Law


Since 1999, ERA has enriched Trier’s cultural landscape with diverse exhibitions showcasing European artists, from emerging talents to established creators, both from Germany and abroad. The Academy’s spacious foyer, bright cafeteria and glazed gallery, added in 2011, provide ideal spaces and lighting conditions for the presentation of paintings, graphics, photographs, sculptures and other visual artworks.

Art has always played a major role at ERA – so much so that over the years a particular piece has become nothing less than the symbol of our Academy:La jaula de la libertad (the cage of freedom).

Visitors to ERA’s headquarters and participants in our training events are all familiar with this monumental sculpture made by the great Spanish Basque artist Eduardo Chillida. Specially designed for the space in front of the ERA conference centre and installed there in 1998, this work masterfully illustrates the dialectic between law and freedom.

Besides the reproductions of Roman busts that can be found in our main building, many works of art have subsequently been donated to ERA and are on permanent display in our premises. Since its creation, ERA has also hosted hundred temporary art exhibitions and thus supported various artists – beginners or established, local or international.



Current EXHIBITION: IMPULSE


Exhibition from 22 May to 17 July 2026

On 21 May, ERA is once again hosting the opening of a double exhibition.

Under the title “Impulse”, it presents works by two artists living in the Eifel.

Paintings and photography – Anni Jutz and Georg Worecki

The works exhibited by Georg Worecki are from an early phase of his digital photographic work, during which he focal length of the lens during the shooting process. Due to this movement, these photographic works often recall images that emerged particularly during the abstract phases of 19th- and 20th-century painting . It is primarily improvisation that motivated Worecki here to draw closer to the unexpected, the immediacy of strangeness, the spell of otherness. For him, it essentially served as an act of liberation from the burden of the everyday. In doing so, Worecki once again attempted to project the secret of life onto a screen.

ART AT ERA

ART ARCHIVE

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